Where Moral Authority Begins: Part IV: Jesmyn Ward’s Sing, Unburied, Sing

by Rae Cine

 

I first fell in love with Jesmyn Ward’s prose when I read her 2017 National Book Award winning novel, Sing, Unburied, Sing. I don’t know how many times I’ve read it over the years. Jojo struck my heart at the very beginning. I do love a vulnerable character, a young character forced to grow into their adulthood at a much too young age, because this is the reality for so many children, a reality that “society” prefers to ignore. And therein lies one of the novel’s many values—its power to connect with the morals and mortalities readers bring to it.

We meet Jojo in the opening lines, a dark and uncertain space:

I like to think I know what death is. I like to think that it’s something I could look at straight. When Pop tell me he need my help and I see that black knife slid into the belt of his pants, I follow Pop out the house, try to keep my back straight, my shoulders even as a hanger; that’s how Pop walks. I try to look like this is normal and boring so Pop will think I’ve earned these thirteen years, so Pop will know I’m ready to pull what needs to be pulled, separate innards from muscle, organs from cavities. I want Pop to know I can get bloody. Today’s my birthday…. (1)

Read the full essay at Eckleburg.

Where Moral Authority Begins

Part I: Toni Morrison’s Beloved

Part II: Dorothy Allison’s Bastard Out of Carolina

Part III: Cormac McCarthy’s Child of God

Part IV: Jesmyn Ward’s Sing, Unburied, Sing

 

Rae Cline’s debut novel, Precious Ugly (7.13  Books), is a work of Appalachian literary fiction. It was a finalist for the Curt Johnson Prose Award and CRAFT’s First Chapters Contest. Her short fiction and essays have appeared in The Paris Review, McSweeney’s, North American Review, and StoryQuarterly. She is the founding editor of Eckleburg and lives in New York City.

Precious Ugly Playlist at Largehearted Boy

For Largehearted Boy’s Book Notes series, I created and discussed the music playlist behind Precious Ugly.

“In Precious Ugly I needed to build a music bubble around my character, Clementine—thirteen, pregnant and living in a conversion van on a campsite with her mother and father, an abusive alcoholic who fancies himself a miracle worker, a cult leader.”

 

“Rae Cline’s novel Precious Ugly may be the year’s most powerful debut…” — Largehearted Boy

 

In the Book Notes series, previous contributors include Jesmyn Ward, Lauren Groff, Bret Easton Ellis, Celeste Ng, T.C. Boyle, Dana Spiotta, Hanif Abdurraqib, Andrew Sean Greer, Roxane Gay, and many others.

So much gratitude to Largehearted Boy. Read the essay and listen to the playlist.

Rae Cline Celebrates Precious Ugly Book Launch in New York City

Celebrating the release of Precious Ugly at The William in New York City. Photos and highlights from the novel’s NYC book launch.

 

“May be the year’s most powerful debut.” — Largehearted Boy

 

There are quite a few people I want to thank for bringing Precious Ugly into the world.

The Precious Ugly Team

7.13 Books, and my editors including John Madera (editor in chief, Big Other), and Mysia Haight.

I also want to thank Emi Battaglia, Michael Asen and Charlotte Holster and Susie Stangland.

New York Attendance

A special thank-you to Cindy Kanusher, Executive Director of the Pace Women’s Justice Center and Melissa Jeltsen, journalist and host of What Happened To for joining me in conversation tonight and to Caitlin Bea, and Miracle Jones (editor in chief, Ristretto Books) for their support.

 

And last, but certainly not least, my family, in particular, my partner, Rand—my love, my best friend, and my extraordinarily patient first reader—who is also a fierce party planner.

Precious Ugly is available now at your local bookseller and online.

Intolerable Impositions by Rae Cline

Intolerable Impositions Rae Cline

Rae Cline fiction

“I do not wish for them to have power over men; but over themselves….” — Mary Wollstonecraft

She gnawed her arm off in the morning before he woke. There was no way around it. Her forearm lay trapped beneath his thick neck, stubbled but for one irritated spot of skin, below the hairline where an infected pore rounded, tipped with pus. She had seen it the night before, the infection. She saw it in the dim bar light, pulsating, but the blemish did not matter after two glasses of cabernet. And besides, he presented so well from the front—pressed, suited, hip-but-not-too-metro tie, square jaw and straight white teeth. His hair was thinning. Inconsequential.

After a tolerable sexing—top, bottom, behind, over the edge of the bed—he turned his back and asked if she would find the ingrown hair on his neck because it hurt him, and he had no one to do it now that his mother had passed away three months ago. In the dark silence of their after-sex, he explained how his mother cleaned the area with hydrogen peroxide then extracted the infection, fishing inside with tweezers and a needle to find the offending hair. He spoke with soft words: “She could always find it so quickly. Now I have no one. Would you mind? The tweezers and the peroxide are in the bathroom cabinet.” It was a test, though he did not admit it. She had known other men like him—men who searched for a dedicated intimate, a partner, un-squeamish. It was their way of telling the keepers from the one-nighters.

She begged off the immediate task. “I’ll do it in the morning,” she said, smiling, as if the task did not disgust her.

She woke before him. The bulbous infection lay millimeters from her nose, an inch from her forearm. It would touch her if he rolled backwards, toward her. As long as he lay motionless, she was safe.

Pulling her arm in small increments, she worked it from beneath his neck, but each time her forearm moved, he moved, so that he inched himself backwards, forming into her an intolerable spooning. She had not consented to affections. There was no contract between them for this cuddling, nor was there provision for lovemaking, only sex implied, and she cringed at the familiarity of his back and buttocks and legs where they contacted her skin. It may have been different if he faced her. He was much prettier from the front.

So she rolled to her back, letting only her side and arm touch him now. She considered pulling the arm outright,  facing his awakening before leaving a fake phone number. She considered pushing on his right shoulder so to roll him onto his belly, which may have released the arm, but still, it was risky, and would likely wake him that way, too. After endless scenarios imagined—pulling and pushing and facing the man she now loathed for no other reason than the cyst upon his neck—she considered loving him. She could simply stay and wake by his side then share eggs and coffee and the Washington Post before returning to bed again, but the venture brought the inevitable task of extracting the hair and the pus, and she found herself glaring at the thick, heavy neck with hatred. Only one thing to do.

It took her the better part of an hour to gnaw through the bone. The flesh was easy—soft, pliable, seasoned with skin creams and the experience of her near thirty years. The blood, however, threatened to give her away. It pooled on the mattress beneath them, and he nearly woke from the wet.

As she snuck out of the bedroom, she turned to watch the sleeping man who now clutched her forearm. He pulled it to his chest and hugged it like a child’s teddy bear. She remembered mornings when, she too, clutched forearms to her chest. It wasn’t so bad. At least they had left her something before leaving. She tied off the left sleeve of her coat then moved out of the apartment and into the hallway, missing the forearm already, but resolved to leaving it. Waking him and his cyst would certainly turn into the day, the week, a year and before long she might consider him more than a fancy. He would fill her life with a series of cystic burdens. He would seize her entirely. A single forearm was well worth the escape.

“Intolerable Impositions” published in The Indefinite State of Imaginary Morals: Collected Short Stories by Rae Cline and was the Second Place Winner of the Bartleby Snopes Short Story Contest. ISIM: Patasola Press, New York, NY, 2011

If you enjoyed “Intolerable Impositions”…

Precious Ugly, my debut novel, takes you deeper into the dark, funny, complicated world of women, bodies, desire, survival and Appalachia.

Precious Ugly

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